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A Mission to Commission
Biographies of the musical directors behind W11 Opera productions.
Year |
Work |
Musical Director |
SHADOWTRACKS |
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Chincha-Chancha Cooroo |
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ANTiphony |
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All in the Mind |
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Game Over |
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Stormlight |
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Flying High |
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Deep Waters |
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Rip |
Dominic McGonigal |
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Birthday |
Dominic McGonigal |
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Eloise |
Dominic McGonigal |
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Ulysses and the Wooden Horse |
Dominic McGonigal |
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The Dancing Princesses |
Dominic McGonigal |
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ANTiphony |
Harry Gregson-Williams |
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Travellers Tale |
Harry Gregson-Williams |
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Listen to the Earth |
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A Time of Miracles |
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Double Trouble |
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Koppelberg |
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The Return of Odysseus |
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Ulysses and the Wooden Horse |
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The Tin Knight |
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Bel and the Dragon |
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The Adventures of Jonah |
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Rainbow Planet |
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Birthday |
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Wenceslas |
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Mak the Sheep Stealer |
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Dreamtime |
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The Girl and the Unicorn |
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The Adventures of Jonah |
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Like This, Like That |
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Joseph |
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The Winter Star |
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Bel and the Dragon |
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The Pied Piper |
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Noye’s Fludde |
Philip Colman (2000 to present)
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Philip is Professor of Piano and a Senior Lecturer at Trinity College of Music. As well as his teaching commitments, he has a busy schedule as a conductor and musical director for several London based opera, choral and theatre groups. Following on from the success of a production of Stephen Sondheim's Company at the Bridewell Theatre, Philip will be conducting Follies at the Gordon Craig Theatre in Stevenage this year, and returning to the Bridewell Theatre for Merrily We Roll Along. For Philip, the challenge of working with the W11 Opera cast continues in this his seventh year as Musical Director. He says that “this is a hugely talented group and their capacity for absorbing very complicated musical vocabulary is clearly apparent. Now that's the excitement of working with this young cast”. He has been vocal coach for the W11 Opera children taking part in the Opera Holland Park productions over the past few years and also conducts the young singers’ Vocal Ensemble at Trinity College. As a pianist he has worked for Ballet Rambert, Royal Opera House, RADA, and the NFT, and was even a regular pianist on the BBC children's programme Playschool. |

Wayne Marshall was born in the UK and, after musical studies there and in Vienna, swiftly established an international reputation as organist and pianist. He is now also in great demand as conductor and duo recitalist. Other musical activities include improvisation, jazz, radio and television presentation and composition. In 2004 he was awarded an Honorary Doctorate by Bournemouth University in recognition of his longstanding relationship with the Bournemouth Symphony Orchestra. A regular visitor to the BBC Proms, he featured in the 1997 Last Night of the Proms as both organ and piano soloist and the following year made his Proms conducting debut with Porgy and Bess (their Gershwin centenary tribute) and also took part in the ‘Prom in the Park’.
As organ recitalist he draws on an exceptionally large and varied repertoire, particularly favouring the French Romantics, and has appeared widely throughout the UK, Europe, North America and the Far East. As solo pianist, his repertoire includes the complete works of Gershwin for piano and orchestra to works by Ravel, Bernstein, Stravinsky and Franck. In recent seasons, guest conducting has taken him all over the UK and to many parts of Europe and the USA. As pianist/director and organ soloist he has appeared with orchestras worldwide.
Wayne Marshall is Organist-in Residence of Manchester's Bridgewater Hall, and in 1996, gave the inaugural solo recital on its splendid Marcussen organ, plus Jongen Sinfonie Concertante (Hallé Orchestra/Daniel Harding) to a capacity audience of 2,400. He regularly opens their organ recital series and other appearances include duo recitals and concerts with orchestra as organist, pianist and symphonic conductor. In addition to consultation over programming, he is closely involved with the Hall’s audience development, education and outreach programmes.
Outside Manchester, work with young musicians has included a number of youth orchestras and conservatoire orchestras, such as the Royal Academy of Music Symphony Orchestra, students of the Royal Northern College of Music, the Royal Scottish Academy of Music and Drama and the conservatoires of Dresden and Winterthur.
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Nicholas Kraemer co-founded W11 Opera with Serena Hughes in 1971 when Britten's Noye's Fludde was presented in St.James' Church in W.11. At that time, Nicholas was principally a harpsichordist with ensembles such as the Academy of St.Martin-in-the-Fields and the Monteverdi Orchestra (to become John Eliot Gardiner's English Baroque Soloists). From 1975 he began to conduct the English Chamber Orchestra with whom he had an association until 1984 and, from 1982, Manchester Camerata with whom he is still principal guest conductor. Other orchestras with which he has been closely associated include Northern Sinfonia, City of Birmingham Symphony Orchestra, Scottish Chamber Orchestra, London Bach Orchestra (artistic director 1985-1993), Irish Chamber Orchestra (artistic director 1985-1991), Music of the Baroque, Chicago (principal guest conductor from 2002), the Orchestra of the Age of Enlightenment, St.Paul Chamber Orchestra, Philharmonia Baroque in San Francisco, Berlin Philharmonic Orchestra and the Halle Orchestra. In the opera world he has conducted mainly the operas of Handel and Mozart in Geneva, Paris, Lisbon, Marseille, Aachen, Glyndebourne and London (ENO).His speciality is to work with orchestras in the baroque repertoire, to recapture the spirit of the music of that time. He does occasionally work with younger musicians, most recently in a project with the Scottish Chamber Orchestra and the Edinburgh Secondary Schools Orchestra. For Nicholas Kraemer’s reminiscences of working with W11 Opera, click . |